Maine Broadcast Television, Print Advertising

Archive for the ‘Creative Services’ Category

Radio + Mail

Tuesday, June 19th, 2012

Coach Wooden said: “The main ingredient of stardom is the rest of the team.” This piece is one part of a four-part series about direct mail and it’s other teammates, in this case mail and radio. Allan Nahajewski talks about a car dealer who pairs up direct mail with drive-time radio spots. Read the whole story on delivermagazine.com.

YouTube Redefining the Entertainment Business

Tuesday, September 27th, 2011

Danielle Sacks, award-winning senior writer at Fast Company magazine chronicles how YouTube CEO Salar Kamangar and his team have transformed Google’s Folly into a mind-blowing — and lucrative — global platform that is redefining the entertainment business.

Read the print article here.

Read the article on Fastcompany.com

Moviemaking for the masses

Wednesday, September 21st, 2011

There’s something hilarious about seeing a cartoon bear cuss like George Carlin in a computerized voice while planning vehicular homicide. For this, the world can thank Xtranormal, an online animation company that plops anyone touched by the muse into the director’s seat of his own comedy sketch.

Read print article here.
Visit Xtranormal site.

Search Marketing puts a new spin on the Art of Copywriting

Friday, November 27th, 2009

Beyond basic best practices to shorten and clarify search ad copy, the choice of language used in the creative should depend on what the objective is, according to search marketing experts. “Creative can impact click-through and conversion rate, and many times, the two act in opposition to each other…

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True ROI Accountability

Tuesday, November 10th, 2009

Web marketers can easily tell whether a particular consumer visited a specific site, when she visited, and whether she bought something. But despite a decades-long head start, television advertisers haven’t been as successful connecting the shows people watch to the products they buy. Now a new media research company, TRA – for “True ROI Accountability for Media” – is taking another crack at the problem. It merges data from people’s cable set-top boxes with consumer-purchase databases…

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The Power of Taglines

Thursday, October 8th, 2009

Great taglines have three things in common:
1. You see them;
2. You understand them;
3. You connect them to the company.

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13 proven strategies to create high-performing copy

Thursday, October 8th, 2009

Whether you’re using online or offline media channels to drive your direct marketing, copy significantly impacts your results. Direct is about getting prospects to read your message and respond right now. While you strive to build and support your brand using high-impact formats and images, you also must deliver copy that touches the heart and head of your prospects.

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Great Book – Lousy Promotion

Monday, October 5th, 2009

When sending a book for review, it’s essential to include the following: (1) a copy of the book; (2) a personal cover letter to the reviewer that sells the book and tells why it is important to the readers of the review; (3) a press release that enthusiastically describes the book and its benefits…

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Google Radio-Ad Heads Quit

Monday, October 5th, 2009

The heads of the radio-advertising firm bought by Google Inc. a year ago have left the company as the Internet giant faces skepticism about its efforts to sell ads on radio stations. Google confirmed the departures of Chad Steelberg and Ryan Steelberg, brothers who led the radio-ad firm dMarc Broadcasting Inc. and sold it to Google last year for $102 million, plus the potential for $1.1 billion in performance-based payments tied to revenue and ad-inventory targets.

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Google Tests New Ad Offerings-but Will Advertisers Follow?

Monday, October 5th, 2009

GOOGLE INC. has been racing to extend its reach on the Internet and in traditional media. Now it needs advertisers to follow. Among those it is wooing is Alan Cohen, chief marketing officer of Gemstar-TV Guide International Inc.

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Spire Express Blog

I moved to Maine when I was 16 years old. I got my start as a feeder operator on a press. After a side step into the dying art of letterpress printing (which I quite enjoyed), I moved into film-based prepress. Building on that experience I then jumped head-first into digital prepress. I came on board at Spire Express in 2000, staying quite busy for some time doing imagesetting. Now here I am on the other side of yet another transition (away from silver-based imaging), working to stay on my toes with new technologies and media. When I'm not working, I enjoy playing the fiddle and banjo. Portland is a great town in which to work and play music.

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